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The work reveals in two situations: first, when it is offline, it seems hard and precarious. It is balanced and structured to transmit the idea that it is fragile but stable at the same time. Then, on a second stage, when the mapping is projected, the piece comes to live with the virtual kinetics given by the light and the animations. The light invites the subjectivity for the new composition, from a different and unify way. The spectator notices how this gathering of small wooden pieces build a different narrative in accordance with what is being projected on them.


An experimentation between techniques integrating the endless possibilities of digital art with manual work, the wood cut, the accumulation and redefinition of materials, the composition and balance. The language of the work is dynamic and variable in its conception, leaving the traditional support and utilizing new media and technology it embraces the ephemeral, the proximity to popular culture and the society of information.

Installations using video mapping over a sculpture made of wood and diverse materials.

SAGARANA (2020)
Video installation mono channel
(video mapping on wood sculpture)

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Transport 01 (2019)
Video installation mono channel
(video mapping on wood sculpture)

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Origens 01 (2019)
Video installation mono channel
(video mapping on wood sculpture)

MAVUTISINIM
A origem do sol e da lua (Kamaiurá)
"Na aldeia da onça é onde se tira embira para fazer corda de arco"


MAVUTISINIM- THE ORIGIN OF THE SUN ANO THE MOON.
(Based on the legend of the Kaiamura Brazilian - indigenous people)

In the village of jaguar is where we take off straw to make a bowstring

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FAROL(2021)
Video installation mono channel
(video mapping on wood sculpture)

Dois lados_ Um, caòtico e desorganizado e outro, alinhado e ordenado. No meio, uma linha vermelha, representando um limite, uma barreira.

No alto, uma luz guia que transpassa as fronteiras invisìveis.

Abaixo de tudo, uma pequena embarcañáo â vela, cruzando os dois españos.

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